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After their trials, terrors, and perils, our beloved Hobbits finally arrive at…the Rainbow Pagoda of Nanjing. A bit of a humorous mashup as I continue my own journey through Jiangsu Province (the image by Chet is inspired by my viewing of the Da Bao En Ta 大报恩塔 or the “Porcelain Tower” in its recent remake).

Talking Two Towers -- Tolkien's Middle Earth in Book vs Film

June 14, 2025


Following is a transcript of my unscripted talk about the second volume of the Lord of the Rings trilogy, once again making comparisons along the way to the Peter Jackson films.

I'm continuing on my adventure through China, actually not through the entire country, but I've been spending the last month exploring the architectural heritage of Jiangsu province. So I've been on the road a lot, and as I've been going on this little journey, I've been reading the Lord of the Rings. So in my last video podcast, I talked about the Fellowship of the Ring and how the first volume in the trilogy of the Lord of the Rings compares with the film.

So we're all, at least those of us who enjoyed the films, we're all very familiar with the story of the film. Some of us have watched it time and time again. If you're like me, maybe you watch it, you know, every now and then.

And it's a great film, a great film series, won a lot of awards, deservedly. And in making this comparison, I am not in any way trying to denigrate the value of those films and the wonderful job that Peter Jackson did, and that all the actors and producers and all the people who made the film did. But in reading the Lord of the Rings series again, which I hadn't read since I was a teenager, I've come to realize that there are a lot of key differences in the books.

And I spent a long time in the last podcast video talking about those differences and applying them to the first film and the first volume, the Fellowship of the Ring. And that's the story of Frodo's journey out of the Shire and then to eventually to Rivendell, where he is given this mission, or he takes upon himself this mission to destroy the Ring by taking it to Mount Doom. He goes along with eight other fellows, so there are nine of them all together, on another journey, even more dangerous and arduous than the first one.

And the end of the Fellowship of the Ring leaves us at Emyn Muil. I think that's how you pronounce it. But anyway, it's a mountainous area, kind of on the edge of civilization, you could say.

They've already passed through Lorien, and now the nine fellows are going to break up and go their own way. And then at the very end, Boromir, one of the fellows representing men, gets into a well, maybe not a battle, but he tries to take the Ring from Frodo, forcing Frodo to act by putting on the Ring and escaping. And then Frodo continues his journey.

Sam catches up with them, and the last we see them, they're getting onto an elven boat and going down the river without the other fellows. So Frodo has decided to go it alone, but then Sam joins him on the journey. So it's Frodo and Sam.

And that's where we go into the second volume of the adventure, which is the Two Towers. And again, these books are divided into two books. So we have, in the Fellowship of the Ring, we have Book One and Book Two, which are separated by their arrival at Rivendell.

In Book Three and Book Four, which comprises the Two Towers, we have two sections. And it gets a little bit different because now we have the fellows going off in different directions. So we have two parties to follow, and one is Aragorn, Gimli, and Legolas.

They go after Pippin and Merry, the two hobbits, two other hobbits in the Fellowship, who have been taken away by orcs, and turns out are on their way to Isengard, where the wizard Saruman lives in the Tower of Orthanc. So that's one story. And then the second story in the Two Towers, or Book Four, is Frodo and Sam's journey.

And the first thing that happens on that journey is they pick up Gollum, who has been following them, and they end up kind of capturing him and taming him, and making him take them on this journey to Mordor. Because really it turns out that he's the only creature that really knows how to get into Mordor, and knows the right passageways to get into Mordor, which is very heavily guarded. Anyway, that's the story of the Two Towers in a nutshell.

You have two separate journeys. Gandalf has apparently perished in the mines of Moria. He was taken by a balrog deep into the depths of the underground, and we don't know what happened to him.

So while I was reading the Two Towers, I was taking notes with the intention of making some comparisons with the movie. And I'll try to be a little bit more succinct than I was in the first video podcast on the Fellowship of the Ring. So I'm going to try to keep this under 30 minutes, but we'll see what happens.

The first thing that happens in the beginning of the Two Towers is Boromir's death. So we find out that Boromir has perished, that he was attacked by a party of orcs, some of whom are very strong orcs known as the Uruk-hai, who were apparently, we find out later, made by Saruman in Isengard. So he basically turned his entire domain that's under his control into kind of a vast factory.

We'll get to that later. But what we find out is that Boromir has died. The heroes who stayed, who have not left at this point, they're still there.

Legolas, Gimli, Aragorn. They find Boromir's body. They don't know what happened to Pippin and Merry, but it seems from, you know, because Aragorn is a ranger, he can see all the traces of what happened.

And they quickly learn that Pippin and Merry were basically dragged away by a party of orcs. And now the orcs are on the move, heading back, which they eventually find out they're heading back to Isengard. So I think one of the most beautiful things about this section is the the way that the three heroes of the story memorialize Boromir.

Only Aragorn seems to understand that Boromir turned on Frodo. And that's because Boromir kind of confessed to him. Aragorn found him.

Boromir was dying, and Boromir confesses to Aragorn that he had tried to take the ring from Frodo. So he kind of got what he deserved when the orcs attacked, and he ended up getting killed, which of course is not true. In a way, what's made clear is that Boromir still, even though he was tempted by the ring, which all men are, he dies a hero, right? He dies trying to defend Merry and Pippin from the orc party.

All of that is faithful to the film, except it happens in the first film in the series, not in the second film. So Aragorn and Gimli and Legolas get together and they have to decide what to do. And Aragorn finally, after a lot of very, you know, difficult, difficult decisions, he decides to follow Merry and Pippin and follow the party of orcs.

He, even though it's kind of a wild goose chase, they need to at least try to save their lives, because they know what sort of tortures await if the orcs reach their destination with their prisoners. So they're going to let Frodo and Sam go off in their direction, which obviously was Frodo's own idea, that he wanted to separate from the party. He thinks it's best to continue his way.

So for the next, I think it's 10 chapters of 11 chapters of book three, the three heroes are off to the races, pursuing the orcs through various terrains. But before they do that, they decide to hold a kind of funeral for Boromir. And they really don't have much choice, but they decide to put him in one of the boats and kind of set him off and let his body drift down the river.

We'll find out that actually has consequences later on in the story. So they give him a kind of a hero's farewell. And I think one of the beautiful things about that section, which is definitely not in the film, as I said, there's really not much, if any, singing in the film.

 

But in this section of the story, Aragorn and Legolas both sing a song in honor of Boromir. It's a beautiful song about the east wind and the west wind. Sorry, not the east wind, the west wind, the south wind, the north wind.

When it's Gimli's turn, they get to the east wind. He says, I'm sorry, I'm not, you know, it would be my turn to sing about the east wind, but I'm not really a singer, is kind of what it amounts to. So Gimli, we realize partway through, he's also there for, you know, for kind of a humor [comic relief].

He brings a little bit of humor to the role. So Gimli's character in the film is very faithful, I think, to his character in the book. So the three heroes go on their journey.

They follow the path of the orcs. It gets more and more distant because the party of orcs is traveling day and night. No rest.

They seem to have infinite stores of energy, and they're in a rush to bring their prisoners. We find out later that the orcs, there are basically two groups of orcs. One belongs to Mordor and to Sauron, and the other belongs to Saruman.

And so you get a better sense in the books, I think, of the rivalry that's emerging between Saruman and Sauron, right? The two great villains in the story. And that Saruman is trying to kind of take matters into his own hands in Isengard and bring the ring to him. So otherwise, I think the scenes in the film are fairly faithful to the chase and the pursuit that the heroes undertake to try to reach the orcs in time.

There are some small differences. There is... I think the orcs have a lot more personality in the books than they do in the film. So there's a more dialogue with the orcs.

You kind of really get into their minds. There's a lot of conversation back and forth that they have. So when Pippin and Merry are being carried away by the orcs, they can kind of make out, because the orcs have to talk in a common tongue because they have different languages.

So Pippin and Merry can kind of hear what they're saying to each other. So actually, the orcs turn out to be a lot more interesting in the books than they do in the films. That's my position.

But the orcs seem to be somewhat more crafty, more... The orcs have their own plans and schemes, and they're trying to decide what to do with Pippin and Merry. And obviously, the Uruk-hai who represent Saruman are trying to fulfill their orders and take Pippin and Merry to Saruman's stronghold. But the other orcs are not as committed to that pathway.

And there's some fighting back and forth, and because the Uruk-hai, the orcs of Saruman, are stronger, they end up killing the other orcs. And meanwhile, and this is, I think, quite different in the book than in the film. Meanwhile, Pippin kind of slowly makes plans to try to escape.

So he manages to cut the bonds, you know, the hobbits are tied up, so he manages to cut the bonds on his hands, free his hands up, but to hide that for a while. And then when the time is ripe, in kind of a scene that bears some similarities to the film, the two hobbits are taken away by one of the evil orcs, and he's going to try to search them because he knows they're carrying something precious. But they end up escaping in a melee when the riders of Rohan start to attack the orcs.

So Pippin and Merry actually have kind of a different escape than the one that we see in the film. And I think it's a more, as usual, it's kind of a more sensible story of how they escape. It makes more sense within the context of the story.

 

But it also, in my opinion, gives Pippin and Merry a lot more cleverness and a lot more agency in the book than they have in the film. And that's where they escape into Fangorn Forest. And of course, they're found by Treebeard, the kind of like a tree-like, man-like, tree-like creature, who takes them into his arms and walks them through the forest.

Now in the film, I think there's a scene where the orc, the evil orc, follows them into Fangorn Forest, and Treebeard steps on the orc. And that's definitely a plausible scene, because certainly the Ents are enemies of the orcs and vice versa, and the Ents like nothing better than to crush the orcs when they come into their forest. But in the book, that doesn't happen.

Instead, Treebeard questions them. They have a long conversation in the book. There's so many more conversations in the book.

Obviously, the film just couldn't get away with that much dialogue without action. But lots of conversation where he tells them his background, stories of the Elves and the Ents, and even the Entwives. We learn that there are Entwives, like kind of female versions of Ents, that have left the forest long ago and can't be found.

So there's a bit of a kind of a tragic backstory to Treebeard and the Ents. He gives them special water to drink. Wherever they go, there seem to be special concoctions of water that they can drink that give them special reserves of energy and help to nourish them.

The other thing that happens is when they go to the Entmoot, which is where Treebeard and the other Ents get together and have a long, drawn-out conversation that results in their decision to attack Saruman and march on Isengard. He actually has a young friend named Bregalan to take them away. And we find Pippin and Merry go to both Treebeard's home and to Bregalan's home.

So these Ents actually have homes in the forest. And that's something very interesting that you just don't get in the films. There's lots of singing.

There are lots of legends, etc., etc. So then there's the march to... marching to war against Isengard. The Ents finally decide they've had enough of Saruman's evil and his destruction and the orcs and so on.

So then we get to chapter five, and finally we have Gandalf's return. So I think in the film, the three heroes, when Gandalf finally returns, they confuse him for Saruman because he's in white and he seems very powerful and very odd. And at first he doesn't kind of give himself away.

He surprises them. But then it turns out to be Gandalf. He majestically yet slowly reveals himself and he discusses Saruman's treachery with them and all the circumstances that brought them together.

And he confirms that Aragorn made the right choice to follow Merry and Pippin because it led them to Gandalf at this moment when the heroes are actually needed because they're going to go into battle. So he tells the story of the Balrog, and that's a much richer story in the book than in the film. You learn a lot about the Balrog, about the domain that he lives in underground, and what it looks like when the Balrog falls in the water and is quenched of his fire, and how he runs up the steep, winding staircase up to the top of the mountain.

And Gandalf is following him, and finally Gandalf vanquishes him on the top of the mountain. And I think there's the scene after that where Gandalf is kind of suspended in time and space, which is similar to the description in the book. And then he ends up going, I believe, back to Lórien, Lothlórien, where the elves take care of him and nourish him and help to recover his strength.

And then he emerges in white robes from Lórien as Gandalf the White. He's upped a level, maybe a couple of levels, as we would say in Dungeons and Dragons. You can see how, you know, Dungeons and Dragons, there's so many influences of the Lord of the Rings on the D&D world, but that's another story.

So what's also interesting is that Gandalf has to kind of guess what's in Sauron's mind. And the way he reasons it out is that Sauron doesn't know where the ring is. And the last thing on his mind is the idea that they're going to destroy the ring.

Sauron thinks that they're going to try to use the ring against him to win this war, which is what he would do, of course. But he has no idea that the other two hobbits are on their way to Mordor to destroy the ring. So Sauron is amassing an army and marching on Minas Tirith, which is kind of the kingdom of men.

You learn more about Shadowfax, Gandalf's horse, who appears first in this scene in the film. And you find out a lot about the people of Rohan and their stories. There's a lot more dialogue with the riders of Rohan (Rohirrim) and their leader Eomer.

There's just a lot more information in the books and backstories, again, very similar to Fellowship of the Ring. So in chapter six, Gandalf takes... they basically find out that Pippin and Merry are okay. They've been shepherded by the Ents and they're okay.

The orcs weren't able to kill them or take them to Saruman. So Gandalf says, we have a more pressing order now. We have to go to Theoden, who is the king in this land, and Rohan.

And he must parley with Theoden and convince him to lead his men in battle against the evil armies that are marching out of Mordor and Isengard. And in this scene, it's actually quite different to the film. And I can see in the film, they really kind of squeezed a lot of information together to give it more impact. So in the scene in the film, Gandalf reveals himself in the court of Theoden as Gandalf the White. Theoden is obviously being possessed by Saruman and he's all old and gray and aged.

And Grima Wormtongue, his advisor sitting next to him, is advising him not to parley with these people and not to listen to Gandalf. But Gandalf uses his staff to remove the evil curse from Theoden. And we see that in the form of Saruman kind of popping out of his body, which definitely doesn't happen in the book.

It's kind of, in a way, a silly scene in the film. But I can see why they wanted to give a visually impactful kind of symbolic representation of the expulsion of Saruman's evil. So what it turns out in the book is that Grima Wormtongue was indeed kind of bought by Saruman and that he's been helping Saruman and giving Theoden bad advice.

And Theoden has kind of been drying up and just not doing much, not being his kingly self. And Gandalf basically comes into the hall and wakes him up and turns him back into his kingly self. So that all is faithful to the book.

And then he expels Grima Wormtongue. And Grima Wormtongue then rides to Isengard to report to Saruman. So there's a, you know, it's a different scene, but I can see why the film, why the filmmakers decided to tell it their way.

And I think that's totally valid. You know, there's so many different ways to tell a story. And the language of film is so different to what you can do in a book.

So then we have the scene at Helm's Deep. And I think the interesting thing about that, this is chapter seven, is that it's Ents, not elves, who come to help along with Gandalf and a man named Erkenbrand of Westfold. So it's a very different sort of rescue mission to what you see in the film when the elves come and have a last stand against the evil orcs and trolls and other creatures that are trying to attack Helm's Deep.

 

It's a wonderful scene in the film. I think one of the best scenes in the whole series of the siege of Helm's Deep. And I think there are some elements that are faithful.

I think Legolas and Gimli definitely show their heroic sides by putting notches on their belts when they kill all the orcs that they kill and so on. But, you know, it's quite a different ending to the one in the film. And I wonder, you know, why they wanted to bring the elves back in the film and give them a kind of heroic role when in the book they're still kind of in their own domains.

So the Helm's Deep scene is faithful in some ways, but different in others. And then once they defeat the enemy at Helm's Deep, one interesting thing that happens is that Gimli starts to give a loving description of Helm's Deep and all the caverns, the miraculous caverns filled with jewels and gems and other treasures inside Helm's Deep and offers to take Legolas on a tour. And Legolas at first is like, I don't really, I'm an elf.

I'm not really into these, you know, mountain innards. Come to the Fangorn Forest with me. And Gimli says, oh, Fangorn Forest.

But if you insist. So they're kind of showing how they develop their friendship and are willing to sacrifice for each other. And I think Legolas and Gimli's friendship is one of the beautiful things that happens in this series.

So you get more backstory or more kind of, you learn more about their friendship in the book. Then the heroes, along with Theoden and his men, they march to Isengard, where they find the aftermath of the Ent attack. So in the film, it's totally understandable.

We see the Ent attack itself. But in the book, we only learn about the attack from its aftermath and from what the heroes see following the event. So the Ents have flooded Isengard.

All the holes and the mines and the pits that were dug around the Tower of Orthanc have been flooded with water. And of course, Pippin and Merry are waiting for them, having just consumed a big breakfast. And they have a big pipe of tobacco that they're smoking, that they happen to find a barrel of fine shire tobacco in Isengard.

So that's a fun scene. You also have, in addition to the Ents, you have another type of tree called the huorns that seem to be a bit darker, blacker, and even more destructive than the Ents. But they're working with the Ents to destroy Isengard and also to attack orcs that go near them and so forth.

So this is all, you know, it's still weaving together. The story of the book and the film are still weaving together just in different ways. The film goes off in different ways, but comes back to the main story of the book.

But this is where Gandalf has his encounter with Saruman, not in the halls of Theoden, the king, but here in Isengard in the Tower of Orthanc. Gandalf raps on the door of the tower and calls Saruman out and finally reveals to Saruman that he is now the most powerful wizard of all, the White Wizard. And so, of course, Saruman is completely surprised and taken aback by that.

But Saruman has holed himself up in the tower with Grima Wormtongue and won't come out. But they have a really important and interesting dialogue together, and you can see that Saruman still has a lot of persuasion, a lot of influence and power over other beings, his ability to persuade them over to his side, but of course he doesn't in the end, and Gandalf kind of overpowers him, and then Grima Wormtongue drops out of a tower window an orb, heavy orb, that comes crashing down, almost kills somebody, but they take that as kind of booty, turns out to be a palantir, which is a kind of magical orb that kind of like a crystal ball where you can see the future, or you can communicate with others across the world who also hold a palantir. So this turns out to be kind of a special magical object that was made in ancient times, that Sauron has taken one and Saruman had another, so that solves the mystery of how Saruman and Sauron were able to communicate, and I think that's something that that's a point that wasn't made so clearly in the movie, but I'd have to look back at the movie to find out if that's the case.

But then there's the scene where Pippin steals a look in the palantir and almost kind of gets sucked in by the power of Sauron, because Sauron is obviously controlling that palantir, but fortunately he's not able to give Sauron any information, and he survives this encounter through the palantir. And in a way, Gandalf is grateful in the book because he says, by stealing a look in the palantir, Pippin saved me from a similar fate, and I may not have been able to resist Sauron. So it's obvious that, you know, as powerful as Gandalf is, Sauron is still much more powerful at this time.

And so at the end of at the end of that book, book three, Gandalf takes Pippin on Shadowfax, the horse, and they're riding, racing against time towards Rohan and Minas Tirith, because armies of orcs are coming out of Mordor to attack Minas Tirith, and the Nazgul are also flying out to attack. So all the heroes are now racing against time to get to Minas Tirith, which is the setup for book three, The Return of the King. And then book four is completely focused on the story of Sam and Frodo and their journey to Mordor.

So whereas in The Two Towers film, those stories are kind of commingled. So you have one scene with Frodo and Sam, one scene with the heroes, Helm's Deep, and so forth. They're kind of mixed in together in the film, but in the book they're very separate.

And again, I can see, obviously, why they did that. They didn't want to turn this into two films. Okay, so now we're getting into book four, and that's the story of Sam and Frodo's journey to Mordor.

And in the first chapter of that book, that's where they meet Gollum. He's been following them, tailing them, trying to kind of stay hidden, but they finally manage to capture him and threaten him. And then Frodo convinces him to be his servant, and that's when he starts calling Frodo Master.

And you can tell in this scene and in other scenes that Gollum really has two personalities. One is kind of his human, or whatever he was before he found the ring. That personality, which is also kind of meek and meager and willing to serve.

And then there's the other personality that is evil and slinking and scheming and wanting to kill them and take the ring. And of course, you know, Frodo and Sam both know that he has these two sides. He's a two-faced creature.

Sam more so than Frodo, I think. Sam is constantly on guard against Gollum, whereas Frodo kind of sees... Frodo is kind of drawn to his, if you could call it, good side, his helpful side, and thinks that there's hope for Gollum. So after the taming of Gollum, which takes up the first chapter, they go through the marshes.

And that's a pretty powerful scene in the film, but the scene in the book doesn't happen quite the same as the film. In the book, Gollum does lead them through the marshes, and they do see these dead creatures, dead beings underneath the water who were killed in battle many ages ago, and whose bodies have reappeared after the plane was flooded and turned into a marsh. But Frodo doesn't get sucked under the water in the way that he does in the film.

So I think they are trying to kind of enhance the creepiness of that scene in the film in a way that doesn't happen in the book. Certainly he comes close, and Sam continually has to kind of drag him through the swamp and the marshes. But Gollum successfully leads them through on a path that gets them through the marshes.

And then they reach the Black Gate of Mordor, and obviously there's no way in. So there I think the book and the film are pretty faithful to each other. Maybe the description of Mordor is, if anything, even more gruesome and desolate in the books than in the film representation of the Gates of Mordor.

But they're guarded by orcs, and there's a big gate, and so forth. They just can't get through that way. And that's when, you know, Gollum tells them there's another way. He'll lead them another way, another path. And that's when he starts scheming to bring them to She. And we don't know who She is at this point.

We just know that it's something very wicked and evil that Gollum is planning for the two hobbits. But they continue to travel together. They get into a more hospitable land with lots of beautiful descriptions of plants and flowers.

And eventually, Sam decides that he wants something better to eat than the lembas, the elf bread that they keep eating, which is all that they had for this journey. And he convinces Gollum to go and catch a couple of rabbits. He makes them into a stew.

And unfortunately, the smoke and the fire of the rabbit stew eventually attracts the men of Gondor, who are in the forest hunting Southern men, evil men, who have joined forces with Sauron. So there's a very, I think, similar scene in the film, in the book, where they see an oliphaunt, kind of a giant elephant, come crashing through the forest. And then they're taken by the men, and they meet Faramir.

So Gollum disappears into the forest, and Frodo and Sam are kind of captured by these men, taken to Faramir, who is the captain of this guard, of this team of men. I think what's interesting about this episode is that Faramir seems to be a much, much more wise and even-handed and noble person than he appears in the film. So I don't know why they decided to make him such a different character in the film.

But in the book, he obviously takes them under his guard. But as he tells them, he's actually taking them under his care, because this is a very perilous place now, with this battle going on. And he needs to guard them as soon as he finds out who they are, and that they're connected to Boromir, who turns out to be his brother, that they were connected to Gandalf on this fellowship.

And he gets very curious and asks them all sorts of questions. And Frodo's trying his best not to reveal the existence of the ring, but Faramir knows that there's something very precious and special that maybe they're carrying, that they were meant to carry as part of their mission. And that Boromir, it seems, had coveted that, whatever it was, which he knows of as Isildur's Bane.

So the existence of the ring isn't revealed later, until later in the conversation, when Sam kind of blurts it out. But instead of taking them hostage and taking them away, which I think is what happens in the film, he actually takes them to Gondor. It doesn't happen that way in the book.

He says, I am true to my word. I would not touch that ring, even if I found it on the highway. I will support you and let you continue on your journey.

He's in fact, you know, even though he has kind of taken them captive, and then eventually takes Gollum captive, who has been kind of following them, he ends up letting them go. So I think that's a very different character and a very different story to the one in the film. And it leaves you wondering why they wanted to turn him into this other kind of character in the film.

Maybe it just made more sense in the language of film. Maybe it was more dramatic that way. Maybe it's a little bit boring to have this kind of dialogue in a film. There needed more action and adventure and suspense. So Sam and Frodo continue on their journey with Gollum. They're allowed to continue through the land.

Although Faramir tells them, warns them, don't go to Cirith Ungol, which is the place that Gollum is taking them, which is next to the old city of Minos. I forget the original name, but it's now known as Minos Morgul, which is the city of the Nazgul. So he says, no matter what you do, don't go there.

But that's the alternate pathway, the alternate pass up a very narrow and forbidding flight of steps carved into the mountainside that they can go up to the pass and then get into Mordor that way. So Frodo says, basically, he has no choice. He must follow Gollum, who's the only creature that knows the way back into Mordor.

So Gollum's plan seems to be coming together quite well. They eventually get to Minas Morgul. They see an army of orcs and the Nazgul chief coming out.

They start climbing up the mountainside up the steep stairs. And eventually, after many, many hours of climbing and a lot of difficulty, they get up towards the top and Gollum tells them, there's this tunnel. You have to go through the tunnel.

And once you go through that, you can go over the pass. So the tunnel is the last stage. And of course, those of you who have watched the film all know that the tunnel is where Shelob, this massive spider, has her lair.

And as scary as that scene in the film is, it's far scarier, I would say, in the book. The way that Tolkien unravels that episode is just so brilliant. And a few things happen differently in the book, again.

In the film, I think, again, for suspense and drama, Sam and Frodo part near the top of the pass before they get to the tunnel. Gollum has continually been sowing doubts and strife in Frodo's mind, convincing Frodo that Sam is going to take the ring. None of that happens in the book.

Sam stays faithful the whole time. Frodo never questions his loyalty. So it's very interesting, again, a slightly different way of telling the story in the film as in the book.

But in the book, you really get a sense of not only how loyal and faithful Sam is, how much he loves Frodo, but also how heroic he is. And you get a sense of that in the film too, when Sam finally confronts Shelob after Shelob stabs Frodo with some poison and seems to have killed him and wrapped him up in her web and is going to drag him into her lair. Sam attacks her.

He has the light, the special light, the phial of light that Galadriel gifted to Frodo. He has Frodo's sword Sting, and he attacks Shelob. And in the book, it makes clear that Shelob has never been attacked this way in all.

She's a very, very ancient creature, more ancient than even Sauron. She has never been attacked by another creature in this way. She has consumed countless elves and dwarves and other creatures, orcs, but she's never been mortally attacked.

So Sam really comes out as a bold hero at the end of this book. And then, again, something slightly different happens. The orcs come out.

There's a tower at the top of the pass. The orcs come out of the tower. They find Frodo, take him through a tunnel, back to the tower.

 

Sam puts on the ring, follows them, and then overhears their conversation. And again, you learn a lot about the orcs. The orcs are much more interesting in the books than they are in the films.

In the films, they say very little, but in the books, there's a lot of dialogue a lot of a lot of fun dialogue. I think Tolkien really had fun with the orcs. And it seems like as evil as they are, they have their own lives.

They have their own minds. They're not just these zombies that are, you know, kind of created by Saruman and Sauron to be part of their army. They're real living creatures with their own ideas and their own wills.

But of course, they have to follow orders because they're part of this army. So I think Tolkien was saying something about human nature there. And that doesn't really come out in the films, which is why I think in the films, you have this sense that everything is so black and white, good and evil.

And that's certainly true in the books. But I feel like there's more subtlety to the way that the books describe the evil creatures and get into their minds and into their conversation. So anyway, that's the really the final scene in the book.

So again, quite a few, I would say, minor differences between the book and the film, The Two Towers, different ways of telling the story, different ways of organizing the story, slightly different characters in the case of Faramir and even Sam, maybe even Gollum, although I think Gollum is quite faithful in the film to his portrayal in the book. If there's any character that's very similar, but I would say that Frodo himself seems a lot wiser and more worldly in the book than he does in the film, especially in the scene where he's speaking with Faramir. He just comes across as a much wiser and cleverer hobbit than he seems to appear in the film.

That's just my opinion. Anyway, I think that's it for The Two Towers, and hopefully I've kept within a better time frame for this. And then the next book, as you all know, is The Return of the King.

So see you then.

 

Fellowship of the Ring – Book vs Movie (Part 1 of Lord of the Rings) →
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  • June 2025
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    • Jun 6, 2025 Fellowship of the Ring – Book vs Movie (Part 1 of Lord of the Rings) Jun 6, 2025
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    • Jul 15, 2024 Binging The White Lotus: A Tragicomic Series on HBO Jul 15, 2024
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    • May 22, 2023 My New Book Rocking China Drops Today! And a Mixtape to Go With It May 22, 2023
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    • Feb 28, 2023 Getting Back to our Lives in Shanghai and Environs Feb 28, 2023
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    • Jan 1, 2023 Saying Goodbye to 2022 and to Zero Covid: Another Challenging Year Behind Us, and a Promising New Year Ahead Jan 1, 2023
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    • Dec 22, 2022 My Good Reads in the “Zero Covid” Year of 2022 Dec 22, 2022
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    • Nov 14, 2022 Keeping it Real in these Unreal Times: Music, Scenes and Social Life in Shanghai Nov 14, 2022
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    • Oct 7, 2022 Shanghai Gets Back to “Normal”: Museums, Movies, and Musical Life in China’s Great Metropolis Oct 7, 2022
  • August 2022
    • Aug 20, 2022 Post-Lockdown Summer: Reflections on the Lockdown Months in Kunshan and Shanghai, and on Making a Space for Art in my Life Aug 20, 2022
  • June 2022
    • Jun 24, 2022 100 Days of Solitude: My Life in Kunshan During and After the Great Shanghai Lockdown Jun 24, 2022
  • May 2022
    • May 19, 2022 Lockdown Lifting: Kunshan is Free Now, but Shanghai Still Shuttered May 19, 2022
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    • Apr 24, 2022 The Shanghai and Kunshan Lockdowns: The View from the Lakehouse Apr 24, 2022
  • January 2022
    • Jan 8, 2022 Why I Took a Six-Month Facebook Furlough and the Benefits of a Reboot Jan 8, 2022
    • Jan 4, 2022 Living the China Dream: Looking Back on Highlights of 2021 and Some Hopes for 2022 Jan 4, 2022
  • December 2021
    • Dec 26, 2021 Solitude, Sisters, Prostitutes, Tech-Futures, Demons, Darkness, Drugs, and Songs: My Favorite Reads in 2021 Dec 26, 2021
    • Dec 23, 2021 Getting Back to 1969 on a Long and Winding Road: Some Observations About the new Beatles Doc by Peter Jackson et al Dec 23, 2021
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    • Oct 31, 2021 Moulin Dreams at the Pearl: A Mashup of Montmartre and Shanghai, With a Little Chicago Oct 31, 2021
    • Oct 5, 2021 Hit my Last Number and Walked to the Road: On Playing in a Band, Learning New Songs, and Jamming at Eagle Bar for Robert’s Epic Birthday Party in Kunshan Oct 5, 2021
    • Oct 4, 2021 A Century of Jazz in Shanghai: Documentary Film Nearing Completion Oct 4, 2021
  • July 2021
    • Jul 10, 2021 My Emerging Career as a Documentary Host in China Jul 10, 2021
    • Jul 4, 2021 Journey to the Center of China: 20 Days on the Road in Gansu, Shaanxi, and Qinghai Provinces陕西省,甘肃省,青海省旅程 Jul 4, 2021
  • June 2021
    • Jun 3, 2021 Rocking and Jazzing in 2021: Following, Filming, and Playing in the Music Scenes of Shanghai and Kunshan Jun 3, 2021
  • April 2021
    • Apr 29, 2021 Screening Jazz & Blues a la Shanghai—Some Thoughts and Reflections on the Filmmaking Process Apr 29, 2021
    • Apr 17, 2021 My New Doc Film “Jazz & Blues a la Shanghai” is Nearly There Apr 17, 2021
  • February 2021
    • Feb 16, 2021 Catching up with the Live Scene at the Kunshan Eagle Bar Feb 16, 2021
  • January 2021
    • Jan 1, 2021 Focusing on Discipline and Daily Practice: my New Years Resolutions for 2021 Jan 1, 2021
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    • Dec 30, 2020 From Trees to Stones, Wizards to Kings, and Rock to Jazz: 16 Books That Topped My Pandemic Reading List in 2020 Dec 30, 2020
    • Dec 28, 2020 Boarded Up: The Sad Loss of Shanghai’s Heritage in the “Old Walled City” and Environs Dec 28, 2020
    • Dec 25, 2020 Live Again: The Revival and Current Status of Music Scenes in China Dec 25, 2020
    • Dec 22, 2020 Ten Things I’m Grateful for in 2020 Dec 22, 2020
  • October 2020
    • Oct 23, 2020 Re-Discovering Nature While Adjusting to Life in Kunshan, China Oct 23, 2020
    • Oct 6, 2020 Getting Back to Normal: Returning to our Lives in Shanghai Oct 6, 2020
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    • Sep 10, 2020 Getting Back to China: It Wasn’t Easy, But We Made It Sep 10, 2020
    • Sep 1, 2020 Walking and Cycling Towards Walden: More Meditations on Place, Belonging, Nature, and Displacement Sep 1, 2020
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    • Jul 11, 2020 “The Berkshires Seem Dream-like”: Notes from a Recent Trip to Western Mass. Jul 11, 2020
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    • Jun 29, 2020 More Thoughts on Liberal Education: What is it and Why is it Important? Jun 29, 2020
    • Jun 19, 2020 Trails Through Time: Exploring Conservation Lands and Wildlife Refuges in Eastern Massachusetts Jun 19, 2020
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    • May 26, 2020 How I Released My Inner Druid, and Why the Owl Looks Familiar May 26, 2020
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    • Apr 1, 2020 Why the Hobbit Movies Don’t Work For Me: Notes from a Dedicated Tolkien Reader Apr 1, 2020
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    • Mar 5, 2020 Stay Safe and Sane Folks! More Thoughts on the Coronavirus and Suggestions for Compadres in the USA and Elsewhere Mar 5, 2020
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    • Feb 8, 2020 Coping with the Coronavirus Crisis in Shanghai Feb 8, 2020
    • Feb 2, 2020 And Now…Here They Are…The Beatles! A Review of Bob Spitz’s Bio Feb 2, 2020
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    • Jan 1, 2020 Ah, The Joy of Gratitude: Things I Am Grateful For in 2019 Jan 1, 2020
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    • Dec 29, 2019 Sticky Rice, Snorkling, and Sunburn: The Do’s and Don’ts of a Family Vacation in Thailand Dec 29, 2019
    • Dec 21, 2019 走近昆山的音乐酒吧 Catching Up With the Live Music Bar Scenes in Kunshan Dec 21, 2019
    • Dec 15, 2019 Ah, Those Good Old Dartmouth Days: Looking Back At My College Education After 30 Years Dec 15, 2019
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    • Nov 14, 2019 Ode to Beijing Bookworm Nov 14, 2019
    • Nov 11, 2019 A Colorful Journey to a Chinese Mountain Village: A DKU Quest Trip to Siming Mountain in Zhejiang Province Nov 11, 2019
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    • Sep 26, 2019 Holy Bronzes! A Field Trip to the Shanghai Museum Sep 26, 2019
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    • Jul 12, 2019 Touring Zhangjiajie, The Fantastical Mountainscape of China’s “Avatar Disneyland” Jul 12, 2019
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    • Apr 8, 2019 宁波 Ningbo, a Chinese City on the Tranquil Waves of Time Apr 8, 2019
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    • Mar 23, 2019 A Magical Evening of Jazz at Lincoln Center Shanghai with Wynton Marsalis and His Big Band (March 14 2019) Mar 23, 2019
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    • Feb 22, 2019 Working Through the Pain to Victory: Memories of Coach Jeff Johnson and the ABRHS Boys’ Swim Team, 1983-1987 Feb 22, 2019
    • Feb 11, 2019 Mapping Shanghai’s Entertainment World: Christian Henriot and Virtualshanghai.net Feb 11, 2019
    • Feb 7, 2019 Songs About Shanghai from the Early Jazz Age Feb 7, 2019
    • Feb 5, 2019 新年快乐,恭喜发财!Happy Chinese New Year from ShanghaiSojourns! Feb 5, 2019
  • January 2019
    • Jan 19, 2019 The China Challenge: From Quantity to Quality to Inequality Jan 19, 2019
    • Jan 5, 2019 The Best of Shanghai Sojourns: The Ten Most Popular Posts in 2018 Jan 5, 2019
    • Jan 1, 2019 Walking on the Wild Side of Life: Reading Laura Dassow Walls’ Bio of Henry Thoreau Jan 1, 2019
  • December 2018
    • Dec 27, 2018 A Brahmsian World: On Finishing Jan Swafford’s Brahms Bio Dec 27, 2018
    • Dec 10, 2018 Sa-bai-dee! Visiting Luang Prabang in Laos for the Rustic Pathways EdNet Conference Dec 10, 2018
    • Dec 2, 2018 Seven Tips for Travelers Dec 2, 2018
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    • Nov 15, 2018 Discovering Barcelona: A Flaneur's Guide Nov 15, 2018
    • Nov 11, 2018 Bravo CIEE por una fantástica conferencia en Barcelona Nov 11, 2018
    • Nov 4, 2018 Getting Back to the Heart of Asia: Another Visit to Kuala Lumpur and Singapore Nov 4, 2018
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    • Sep 1, 2018 ​Reflections on the Duke Kunshan Cultural Crossroads Festival Held on Campus on August 18, 2018 Sep 1, 2018
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    • Aug 16, 2018 Dr. Nathan's Top 50 Sci-Fi Films of All Time Aug 16, 2018
    • Aug 7, 2018 A Musical Holiday in America: Radiohead, Thomas Dolby, and the Musical Missionaries of Shanghai Aug 7, 2018
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    • Jul 18, 2018 Ode to Thomas Dolby, The Man Who Blinded Us With Science, Not To Mention Technology, Music, and Poetry Jul 18, 2018
    • Jul 4, 2018 A Whirlwind Tour of Tokyo: Ever an A-Maze-ing City! Jul 4, 2018
  • June 2018
    • Jun 23, 2018 Ode to the Beatles: Memories, Dreams, and Reflections on the Fab Four Jun 23, 2018
    • Jun 16, 2018 A Message to Friends and Colleagues and Like-Minded Folks: Please Support My Work. Jun 16, 2018
    • Jun 3, 2018 On the Importance of Play: At Work, at Home, and with Family Jun 3, 2018
  • May 2018
    • May 5, 2018 It Don’t Get Any More Shanghai Noir Than This: An Online Interview with Paul French, author of City of Devils May 5, 2018
    • May 1, 2018 From Thrills to Chills: A Review of the New Shanghai History Museum in People’s Park May 1, 2018
  • April 2018
    • Apr 14, 2018 Why I Remain in China After All These Years: Some Brief Thoughts and Reflections on the 30th Anniversary of My Engagement with the P.R.C. Apr 14, 2018
    • Apr 10, 2018 My Top Six Bands from My Junior High Days (1981-83) Apr 10, 2018
    • Apr 6, 2018 Walking Historical Shanghai: The Hotel and Theater District around Thibet and Nanjing Roads (Part II) Apr 6, 2018
    • Apr 5, 2018 Walking Historical Shanghai: The Hotel and Theater District Around Tibet Road (Part 1) Apr 5, 2018
  • March 2018
    • Mar 31, 2018 三十年代多伦路上的暗杀案 Unraveling a Murder Mystery on Shanghai’s Duolun (Darroch) Road Mar 31, 2018
    • Mar 28, 2018 My first APAIE conference Mar 28, 2018
    • Mar 25, 2018 Climbing Into the Way Back Machine: Another Night of Music in Shanghai, Traveling Backwards From 1950s Rock’n’Roll to 1930s Big Band Jazz Mar 25, 2018
    • Mar 10, 2018 Walking Shanghai: From the Oldest Part of Town to Some Brand New Nightlife Hotspots Mar 10, 2018
  • February 2018
    • Feb 11, 2018 The Beijing Indie Scene is Alive and Kicking (Well, Almost) Feb 11, 2018
    • Feb 4, 2018 Sunday Journal: Surviving the Cold War in Shanghai, filming a BBC doc, exploring Kunshan Nightscapes, and city walks Feb 4, 2018
  • January 2018
    • Jan 12, 2018 “Someday Soon, You Will All Be Speaking Chinese”—True or False? Jan 12, 2018
    • Jan 7, 2018 Catching Up with the Rock and Jazz Scenes in Shanghai: WHAI at Yuyintang and the JZ Big Band Jan 7, 2018
    • Jan 1, 2018 新年快乐, 上海!Welcoming 2018 in Shanghai with a Walk On the Sunny Side of the Street Jan 1, 2018
  • December 2017
    • Dec 30, 2017 The Cafe to End All Cafes: The New Starbucks Reserve Roastery in Shanghai Dec 30, 2017
    • Dec 28, 2017 So Long, Old West Gate! The Demise of an Old Shanghai Neighborhood Dec 28, 2017
    • Dec 27, 2017 Six Important Points About China Worth Remembering * Dec 27, 2017
    • Dec 27, 2017 Oh, That Magic Kingdom in the Middle Kingdom! Some Comparisons Between Shanghai Disneyland and LA Disneyland Dec 27, 2017
    • Dec 22, 2017 One Last Night Tour of the Bund (for now) and Saying Farewell to Astor House Dec 22, 2017
    • Dec 14, 2017 The Uncertain Future of the Astor House Hotel: A Historical Landmark Hotel in Shanghai Dec 14, 2017
    • Dec 8, 2017 Jazzing the Bund: Joshua Redman and the Aaron Goldberg Trio at Jazz at Lincoln Center Shanghai Dec 8, 2017
  • November 2017
    • Nov 16, 2017 Morphology, Longevity, Incept Dates: Random Musings, Memories, and Reflections Inspired by Blade Runner and the Sequel, Blade Runner 2049 Nov 16, 2017
    • Nov 2, 2017 Keeping your EARCOS to the Ground: Notes and Reflections on the 49th EARCOS Leadership Conference in Bangkok Nov 2, 2017
  • October 2017
    • Oct 22, 2017 Ten Reasons Why Cities are Grand (Especially Shanghai) Oct 22, 2017
    • Oct 15, 2017 逆流上水 Paddling Against the Current: On Rethinking Asian Language and Culture Studies and on Re-Orienting the Study Abroad Experience Oct 15, 2017
    • Oct 13, 2017 Bustin’ Beijing: Subways, Schwarzman Scholars, and a Whole Lotta Breakdown in Sanlitun Oct 13, 2017
    • Oct 3, 2017 Still Taiwan After All These Years Oct 3, 2017
  • September 2017
    • Sep 17, 2017 Bombay or Bust: My First Journey to India, and the Beginning of a Beautiful Friendship Sep 17, 2017
    • Sep 16, 2017 Bangkok Redux: Exploring the Golden City Sep 16, 2017
    • Sep 15, 2017 Ancient City of Infinite Charms: Hanoi, Vietnam Sep 15, 2017
    • Sep 5, 2017 Why Asia Needs More Liberal Arts (and Sciences) Sep 5, 2017
    • Sep 3, 2017 Night Train to Singapore Sep 3, 2017
  • July 2017
    • Jul 28, 2017 Quick Asian Impressions from a Whirlwind Recruiting Tour (Part 1 of 2) Jul 28, 2017
    • Jul 27, 2017 My Chinese Alter Ego, or What's In a Name? Jul 27, 2017
    • Jul 22, 2017 I'm a zhongguo tong, dammit (and proud of it!) Jul 22, 2017
    • Jul 10, 2017 On the Value of Liberal Arts Education Part 2: Classical vs. Jazz Jul 10, 2017
  • June 2017
    • Jun 25, 2017 On the value of a liberal arts education, or how I went from a math and science nerd to a China/Asian studies nerd Jun 25, 2017
  • May 2017
    • May 19, 2017 Jazz Bandleader Whitey Smith, “The Man Who Taught China to Dance” in Shanghai, 1920s-1930s May 19, 2017
    • May 7, 2017 Rocking Kunshan: A Night with The Eagle Bar Band May 7, 2017
  • April 2017
    • Apr 25, 2017 昆山的酒吧 The Bars and Clubs of Kunshan (Part One) Apr 25, 2017
    • Apr 20, 2017 Getting Green Again: Remembering our Class of 1991 25th Reunion at Dartmouth College Apr 20, 2017
    • Apr 16, 2017 Gathering the Worthies: The Association of Asian Studies (AAS) Conference in Toronto, March 2017 Apr 16, 2017
  • February 2017
    • Feb 19, 2017 Spring 2017 GLS Orientation and Faculty Tour of Shanghai Feb 19, 2017
    • Feb 4, 2017 Vinyl School Years: Musical Memories from the 1980s and my Top 20 Albums (Part 2) Feb 4, 2017
  • January 2017
    • Jan 30, 2017 Vinyl School Years: My Favorite Albums from the 1980s (Part 1) Jan 30, 2017
    • Jan 17, 2017 The Year 2016 in 10 Favorite Books Jan 17, 2017
  • May 2016
    • May 24, 2016 Remembering James Freedman, President of Dartmouth College May 24, 2016
  • April 2016
    • Apr 17, 2016 An educational weekend in Shanghai with SAS Alumni and Duke Kunshan GLS faculty Apr 17, 2016
  • February 2016
    • Feb 21, 2016 Music and Memory: Remembering the Dartmouth College Chamber Singers Feb 21, 2016
  • January 2016
    • Jan 2, 2016 Live from Tokyo, its...A podcast interview on Shanghai Nightscapes with "New Books in East Asian Studies" presenter Carla Nappi Jan 2, 2016
  • November 2015
    • Nov 7, 2015 More talks for Shanghai Nightscapes Nov 7, 2015
  • September 2015
    • Sep 1, 2015 Shanghai Nightscapes book talk for Royal Asiatic Society, Sept 12 Sep 1, 2015
  • August 2015
    • Aug 3, 2015 Shanghai Nightscapes Goes Live Aug 3, 2015
  • July 2015
    • Jul 7, 2015 That's a Fine Cuppa Cha: Another Rave Review of Mu Shiying Jul 7, 2015
    • Jul 4, 2015 What Makes a City Habitable? Workshopping with Toby Lincoln and SASS, and a Night of Cow's Heads and Craft Brews Jul 4, 2015
  • June 2015
    • Jun 18, 2015 Catching Coco and the Possicobilities at JZ Club Jun 18, 2015
    • Jun 6, 2015 Project Dementia Revisited: Getting Reacquainted with the Beijing Rock Scene Jun 6, 2015
  • December 2014
    • Dec 24, 2014 Walter Benjamin: A Critical Life Dec 24, 2014
    • Dec 24, 2014 A Great List of Books and Films on Old Shanghai Dec 24, 2014
  • November 2014
    • Nov 21, 2014 "The Beautiful and Damned:" Including a Review of Mu Shiying: China's Lost Modernist Nov 21, 2014
    • Nov 10, 2014 Shanghai Art Deco Weekend: A Talk on the Paramount Ballroom of the 1930s Nov 10, 2014
  • August 2014
    • Aug 28, 2014 Another review of Mu Shiying Aug 28, 2014
    • Aug 20, 2014 The recordings of Whitey Smith, the Jazz-Man who Taught China to Dance Aug 20, 2014
  • May 2014
    • May 26, 2014 A review of Mu Shiying: China's Lost Modernist in Asian Review of Books May 26, 2014
  • April 2014
    • Apr 19, 2014 Announcing our New Book: Shanghai Nightscapes (to be published within the next year or so) Apr 19, 2014
    • Apr 18, 2014 Book Talk at Italian Chamber of Commerce in China Apr 18, 2014
  • March 2014
    • Mar 24, 2014 Mu Shiying Book Talk at Wooden Box, Shanghai April 3 Mar 24, 2014
    • Mar 24, 2014 Film Screening of "Down" for RAS Shanghai, Wed Mar 26, 7 pm Mar 24, 2014
    • Mar 24, 2014 Mu Shiying Book Talk at FCC HK Mar 24, 2014
    • Mar 16, 2014 A Whirlwind of Talks and Tours in March 2014 Mar 16, 2014
    • Mar 16, 2014 City of Darkness Revisited, by Greg Girard and Ian Lambot Mar 16, 2014
    • Mar 7, 2014 The 2014 Shanghai Literary Festival Begins Mar 7, 2014
    • Mar 6, 2014 Local media support for my new book on Mu Shiying Mar 6, 2014
    • Mar 6, 2014 Mu Shiying: China's Lost Modernist now available on Amazon Mar 6, 2014
    • Mar 4, 2014 My New Book has Arrived! Mar 4, 2014
    • Mar 4, 2014 A Review of our Film, Down: Indie Rock in the PRC Mar 4, 2014
  • February 2014
    • Feb 20, 2014 The Poseidon Project: A Review of a Locally Produced Indie Doc Feb 20, 2014
    • Feb 11, 2014 Some podcasts on my rotation list Feb 11, 2014
    • Feb 5, 2014 Two new BBC radio shows: on Chinese Pop Music and Shanghai History Feb 5, 2014
  • November 2011
    • Nov 27, 2011 子曰--王燮达个人作品展 Sages' Sayings: Wang Xieda Solo Exhibition @ James Cohan Gallery Nov 27, 2011
    • Nov 16, 2011 The Poetry of Chen Gongbo, and the Perils of Translation Nov 16, 2011
    • Nov 16, 2011 Video Art in China @ The Minsheng Art Museum Nov 16, 2011
  • September 2011
    • Sep 29, 2011 Congratulations to Peter Hessler, on Being Awarded a MacArthur Fellow Sep 29, 2011
    • Sep 27, 2011 Some Random Notes on Filmmaking, Art, Music, and Identity Sep 27, 2011
    • Sep 17, 2011 Excavating China's Collective Unconscious: Some Good Contemporary Chinese Art Shows at Shanghai's Moganshan Art District Sep 17, 2011
    • Sep 12, 2011 Old Shanghai Revisited: Touring the Bund and the Shanghai History Museum with my NYU Shanghai History Class Sep 12, 2011
    • Sep 4, 2011 Jazzing Chinese Folk: The Solitary Bird CD Release Party @ TwoCities Gallery Sep 4, 2011
  • August 2011
    • Aug 31, 2011 A Visit with Shanghai's Red Collector, Liu Debao Aug 31, 2011
    • Aug 26, 2011 Strolling Through China's Revolutionary History: A Walk in Shanghai's French Concession Aug 26, 2011
    • Aug 23, 2011 China's Basketball Brawls: Aggression vs. Etiquette on the Courts and on the Road Aug 23, 2011
    • Aug 15, 2011 One More Night of Blues and Funk with Tony Hall's Blues Mission Aug 15, 2011
    • Aug 14, 2011 Shanghai Nights of Blues and Jazz Aug 14, 2011
    • Aug 13, 2011 The Many Faces of Shanghai: Life in the Apocatropolis Aug 13, 2011
    • Aug 9, 2011 A Fond Farewell to Yonsei University Aug 9, 2011
    • Aug 7, 2011 A Visit to Songdo: Yonsei's Eco-Campus of the Future Aug 7, 2011
    • Aug 7, 2011 Artful Construction Sites: Seoul's Digital Media City Aug 7, 2011
    • Aug 6, 2011 A Shanghailander in Seoul VI: So Long Seoul (for now) Aug 6, 2011
  • July 2011
    • Jul 31, 2011 Another review of my book Shanghai's Dancing World Jul 31, 2011
    • Jul 29, 2011 A Shanghailander in Seoul V: Beating the Rainy Day Blues Jul 29, 2011
    • Jul 22, 2011 A Shanghailander in Seoul IV: A "Field Trip" to the Ehwa Museum Jul 22, 2011
    • Jul 16, 2011 A Shanghailander in Seoul III: Getting Squared with Seoul Circles, Jul 16, 2011
    • Jul 3, 2011 A Shanghailander in Seoul II: Climbing Seoul Mountains Jul 3, 2011
  • June 2011
    • Jun 25, 2011 A Shanghailander in Seoul Part 1: Touched Down and Settling In Jun 25, 2011
    • Jun 18, 2011 Two Plays Now Showing in Shanghai: God of Carnage and Deer Cauldron Tale Jun 18, 2011
    • Jun 5, 2011 Land of Rice Wine and Stinky Tofu: A Weekend in Shaoxing Jun 5, 2011
  • May 2011
    • May 15, 2011 Resurrecting the Ghosts of Old Shanghai: The Execution of Mayor Chen May 15, 2011
    • May 11, 2011 Mao on Maoming Road: A Tour of the Chairman's Old Shanghai Haunts May 11, 2011
    • May 9, 2011 Here are some Wordle Word Clouds from my Research and Writing May 9, 2011
    • May 1, 2011 Playing with Noise: A Weekend of Art and Rock in Beijing May 1, 2011
  • April 2011
    • Apr 15, 2011 Glitz and Glamour, Desire, and Danger: A Field Trip to Xintiandi Apr 15, 2011
    • Apr 13, 2011 Shanghai has Sprung: Walking through Historic Parks, Remembering Lu Xun and Waltzing with Mao Apr 13, 2011
    • Apr 10, 2011 Touring the French Concession and Screening Down: Indie Rock in the PRC Apr 10, 2011
    • Apr 9, 2011 Bob Dylan Rocked Shanghai, But Did He Roll? Apr 9, 2011
    • Apr 4, 2011 Interview with the filmmakers on the making of Down: Indie Rock in the PRC Apr 4, 2011
    • Apr 1, 2011 A Week of Musical Magic in Shanghai Apr 1, 2011
  • March 2011
    • Mar 29, 2011 春日游走老上海法租界 A stroll through the Heart of Old Shanghai's French Concession with NYU Shanghai Mar 29, 2011
    • Mar 28, 2011 上海纽约大学奠基仪式 NYU Shanghai Campus Groundbreaking Ceremony Mar 28, 2011
    • Mar 23, 2011 Shanghai's Dancing World favorably reviewed in the American Historical Review Mar 23, 2011
    • Mar 21, 2011 有朋自遠方來 不亦樂乎: Receiving honored guests from Tokyo and Harvard, resurrecting the ghost of Zhang Ailing, and exploring rooftops on the Shanghai Bund Mar 21, 2011
    • Mar 20, 2011 穆時英 上海的狐步舞, “Shanghai Fox-trot” Mar 20, 2011
    • Mar 19, 2011 Shanghai’s Nighttime Phantasmagoria: Haunting Nightlife Spaces Old and New Mar 19, 2011
    • Mar 4, 2011 Canned Fun: An Evening at the Phebe 3D Dance Club in Shanghai Mar 4, 2011
  • February 2011
    • Feb 10, 2011 Dancing at the Majestic Hotel to "Nightime in Old Shanghai" by Whitey Smith Feb 10, 2011
    • Feb 7, 2011 An A-Muse-ing Weekend in Shanghai or Sexing the Foreigner in the Nightlife Scene Feb 7, 2011
  • January 2011
    • Jan 14, 2011 On Chua, Chinese Mothers, and Educating Our Daughter in Shanghai Jan 14, 2011
    • Jan 13, 2011 The Rock Doc is Nearing Completion Jan 13, 2011
  • August 2010
    • Aug 25, 2010 Shanghai's Dancing World voted a "page turner" at HK Book Fest Aug 25, 2010
    • Aug 4, 2010 A review of _Shanghai's Dancing World_ in _China Quarterly_ Aug 4, 2010
  • July 2010
    • Jul 30, 2010 On Reading Peter Hessler’s latest book, Country Driving Jul 30, 2010
    • Jul 27, 2010 Some Late Night Thoughts on Reading Paul Theroux’s _My Secret History_ Jul 27, 2010
    • Jul 1, 2010 Xu Jilin on Arts and Culture in Shanghai Jul 1, 2010
  • June 2010
    • Jun 3, 2010 Shanghai Journal back online Jun 3, 2010
  • October 2008
    • Oct 5, 2008 A Fun-Filled Vacation Week in Shanghai Oct 5, 2008
  • September 2008
    • Sep 30, 2008 Singin' the Digestive Blues in Good Ol' Shanghai Sep 30, 2008
    • Sep 13, 2008 Life in Shanghai Continues Apace, and my New Job with CIEE Ramps Up Sep 13, 2008
  • August 2008
    • Aug 31, 2008 Post-Olympic Rambles Aug 31, 2008
  • July 2008
    • Jul 26, 2008 Ah, Those Wonderful Olympics (II) Jul 26, 2008
    • Jul 26, 2008 Tempests in Teapots: The Beijing Olympics and the World Press Jul 26, 2008
    • Jul 22, 2008 Back on Track in Muggy Shanghai Jul 22, 2008
    • Jul 14, 2008 Garden Memories of an Illustrious Past: A Weekend Visit to Suzhou Jul 14, 2008
    • Jul 8, 2008 Beaches and Buddhas: A Weekend Trip to the Zhoushan Islands of Shenjiamen, Zhujiajian, and Putuoshan Jul 8, 2008
    • Jul 1, 2008 Another Sign of Old Shanghai Vanishing Jul 1, 2008
  • June 2008
    • Jun 29, 2008 Shanghai Gloaming: A Videographic Portrayal of the City in Flux Jun 29, 2008
    • Jun 29, 2008 (mis)Representing Beijing: A Review of _Beijing Time_ by Dutton et al Jun 29, 2008
    • Jun 23, 2008 Sex and Politics in the Orient: An Interview with James Farrer Jun 23, 2008
    • Jun 16, 2008 Punks on Stage in Shanghai: Re-TROS at Moganshan Lu STD Party Jun 16, 2008
    • Jun 7, 2008 Eine Kleine Nachtmusik: The Rogue Transmission, Boys Climbing Ropes, and Joyside at Windows Underground Jun 7, 2008
    • Jun 1, 2008 Windows Underground: A New Bastion for the Rock Scene in Shanghai Jun 1, 2008
    • Jun 1, 2008 Happy Children’s Day, Shanghai Jun 1, 2008
  • May 2008
    • May 21, 2008 A Message to China: Stop Eating Shark Fin Soup! 鱼翅汤背后的成本:鲨鱼可能消失 May 21, 2008
    • May 19, 2008 Nightlife in China: A Special Issue of _China An International Journal_ May 19, 2008
    • May 18, 2008 Earthquake Rocks Sichuan, but Shanghai Parties On May 18, 2008
    • May 17, 2008 Six Shanghai Walks: One Down, Five to Go May 17, 2008
    • May 13, 2008 Shanghai in May: A Renewed Love Affair with the City May 13, 2008
    • May 3, 2008 A Virtual Tour of the Paramount Ballroom, 1930s Shanghai's Finest Dance Palace May 3, 2008
  • April 2008
    • Apr 28, 2008 Holy Hollywood! Welcoming John Cusack to Shanghai Apr 28, 2008
    • Apr 28, 2008 Tintin in the Land of Snow: Tibet, China, and the West Apr 28, 2008
    • Apr 21, 2008 Dartmouth in Beijing Presents: Preserving the Hutongs of Beijing Apr 21, 2008
    • Apr 20, 2008 CIEE Workshop On Improving Teaching, Learning, and Intercultural Understanding Apr 20, 2008
    • Apr 11, 2008 SUBS in Shanghai : Great band but the venue needs work Apr 11, 2008
    • Apr 10, 2008 Sparrow Village: A Film about China's Miao Minority People Apr 10, 2008
    • Apr 6, 2008 Tianzifang: A Close Look at Shanghai’s “Creative Art Park” Apr 6, 2008
    • Apr 4, 2008 China's Jimi Hendrix? The Guitar Work of Zhou Chao 周朝 Apr 4, 2008
    • Apr 2, 2008 Shanghai Spring has Finally Arrived Apr 2, 2008
  • March 2008
    • Mar 29, 2008 A Week in Shanghai with Dr. Nightlife and Dr. Sex Life Mar 29, 2008
  • February 2008
    • Feb 19, 2008 Goodbye Sydney, Farewell UNSW Feb 19, 2008
    • Feb 10, 2008 Chinese New Year Resolutions Feb 10, 2008
  • January 2008
    • Jan 30, 2008 Chasing the Shanghai Winter Blues Jan 30, 2008
  • December 2007
    • Dec 20, 2007 Nile Perch and Blue Jeans: Videographing inequalities in globalized labor in China and Africa Dec 20, 2007
  • November 2007
    • Nov 11, 2007 Another Week of Rock, Art, and Beauty in Beijing Nov 11, 2007
    • Nov 6, 2007 Beautiful Ugliness: The Aesthetics of Jia Zhangke's Film _Still Life_ Nov 6, 2007
    • Nov 3, 2007 The Ullens Center and Chinese New Wave Art from the 1980s Nov 3, 2007
  • October 2007
    • Oct 6, 2007 Beijing Punk Band Snapline Oct 6, 2007
    • Oct 5, 2007 The Best of Old and New Beijing: Historical Sites and Live Music Oct 5, 2007
  • September 2007
    • Sep 18, 2007 Kaiser Kuo Gives a Smoking Talk to Dartmouth FSPers Sep 18, 2007
    • Sep 18, 2007 Dartmouth Does the Great Wall: Simatai to Jinshanling Sep 18, 2007
    • Sep 11, 2007 Hang the Police, We're Here to Rock! The Beijing Pop Festival, Sept 10 and 11 2007 Sep 11, 2007
  • August 2007
    • Aug 15, 2007 An Interview with Greg Girard, Shanghai-based Photographer and Author of Phantom Shanghai Aug 15, 2007
    • Aug 14, 2007 Nightlife in Beijing vs. Shanghai: A Student's Perspective Aug 14, 2007
    • Aug 13, 2007 Another Rockin’ Week in Beijing Aug 13, 2007
    • Aug 8, 2007 Water Ripple: A Bluesy Chinese Rock Band Aug 8, 2007
    • Aug 6, 2007 PUNK VS METAL: A Showdown @ D22 and 13 Club Aug 6, 2007
    • Aug 4, 2007 Chinese Punks and The Ramones Tribute Concert @ Mao Livehouse in Beijing Aug 4, 2007
  • July 2007
    • Jul 31, 2007 A Chinese Rock Odyssey: On tour in Hunan and Wuhan with Beijing punk band SUBS and Veteran Rocker Cui Jian Jul 31, 2007
    • Jul 24, 2007 Courtesans, Hostesses, and Dancers in Old and New Shanghai Jul 24, 2007
    • Jul 24, 2007 Republican Beijing: The City and Its Histories Jul 24, 2007
    • Jul 23, 2007 Project Dementia Goes to Shanghai: An Interview with Wu Jun and a Night @ 4Live Jul 23, 2007
    • Jul 23, 2007 A Mad Whirlwind Weekend in Shanghai: The CET summer field trip July 21-22 Jul 23, 2007
    • Jul 23, 2007 Full Tilt: An Online Journal of East Asian Literature and Poetry in Translation Jul 23, 2007
    • Jul 21, 2007 Shanghai Baby Redux Jul 21, 2007
    • Jul 20, 2007 Project Dementia Week 3: A Tsunami@2K, Jamming@Sugar Jar, Acoustic Glam@D22, and the usual Excess@PPG Jul 20, 2007
    • Jul 15, 2007 Welcome to Project Dementia: Week 3 in Beijing Jul 15, 2007
    • Jul 10, 2007 BEIJING ROCKS!!! The CH-INDIE Fest at Dos Kolegas Jul 10, 2007
    • Jul 6, 2007 A Rocking Week in Beijing: 13 Club and Kaiser Jul 6, 2007
    • Jul 2, 2007 Rock It! A Crash Course in the Chinese Indie Music Scene Jul 2, 2007
    • Jul 2, 2007 Sex in China: The Times They Are a Changin' Jul 2, 2007
  • June 2007
    • Jun 27, 2007 人在中国现在能读我的博客!People in China can now read my blog! Jun 27, 2007
    • Jun 27, 2007 Beijing or Bust: Documenting China's "Returnees" Jun 27, 2007
    • Jun 25, 2007 Trippin’ at the Hip-Hoppinest Club in Beijing: Propaganda Jun 25, 2007
    • Jun 25, 2007 Freedom, Beijing Style Jun 25, 2007
    • Jun 25, 2007 Muse: Shanghai's Toniest Nightclub? Jun 25, 2007
    • Jun 22, 2007 A Stroll through the Shanghai Night Jun 22, 2007
    • Jun 21, 2007 All of Shanghai Under one Roof Jun 21, 2007
    • Jun 17, 2007 Shanghai: A Day in the Life Jun 17, 2007
    • Jun 7, 2007 Battle of the Sexes: Shanghai Baby vs. Foreign Babes in Beijing Jun 7, 2007
    • Jun 6, 2007 A Dialogue on Fairer Globalization with Devin Stewart Jun 6, 2007
    • Jun 2, 2007 Public Manners in China and the Case of a Korean Blogger Jun 2, 2007
  • May 2007
    • May 28, 2007 China and Genocide in Darfur vs. America in Iraq May 28, 2007
    • May 27, 2007 Sustainable Development and the "Eco-City" of Dongtan near Shanghai May 27, 2007
    • May 27, 2007 Responsible Globalization in Asia and the World May 27, 2007
    • May 27, 2007 Strange Cities: A Multimedia Site on Old Shanghai May 27, 2007
    • May 18, 2007 An Interview with Peter Hessler May 18, 2007
    • May 16, 2007 David Spindler and the Great Wall May 16, 2007
    • May 15, 2007 The Great Wall of China: Article and Film May 15, 2007
  • April 2007
    • Apr 27, 2007 Final Remarks on the Usage and Abusage of "Laowai" Apr 27, 2007
    • Apr 22, 2007 Thinking About Ethnicity and Race in China Apr 22, 2007
    • Apr 20, 2007 Frederic Wakeman, _Policing Shanghai_/ A Review Apr 20, 2007
    • Apr 18, 2007 Resurrecting Old Shanghai: The Peace Hotel Apr 18, 2007
    • Apr 15, 2007 What Wm. T. de Bary Has Taught Me Apr 15, 2007
    • Apr 15, 2007 On the True Meaning of Laowai Apr 15, 2007
    • Apr 12, 2007 Mainland Chinese Historians, US Academia, and Cold War Politics Apr 12, 2007
    • Apr 8, 2007 Unblocking Blocked Blogs in China (or India, Pakistan, Nepal..) Apr 8, 2007
    • Apr 7, 2007 A Short Walk on a Great Wall: David Spindler Strikes Again Apr 7, 2007
    • Apr 4, 2007 Are Chinese underrepresented in Western academia? Apr 4, 2007
    • Apr 2, 2007 On Translations of Popular Chinese Literature Apr 2, 2007
  • March 2007
    • Mar 22, 2007 Chinese Doublethink: The New Media Rules Mar 22, 2007
    • Mar 19, 2007 Democracy in China? Mar 19, 2007
    • Mar 17, 2007 Great Wall Exhibit in Sydney/Melbourne Mar 17, 2007
    • Mar 12, 2007 More Thoughts on Sex and Shanghai Mar 12, 2007
    • Mar 9, 2007 Sex and Shanghai Mar 9, 2007
    • Mar 6, 2007 On Chinglish Mar 6, 2007
  • February 2007
    • Feb 22, 2007 Shanghai's Art Deco Riches Revealed Feb 22, 2007
    • Feb 11, 2007 Shanghai: digital map to provide 3D view of downtown Feb 11, 2007
  • January 2007
    • Jan 20, 2007 Comet McNaught--Another Great Siting Jan 20, 2007
    • Jan 19, 2007 Gentrification worries Shanghai preservationists Jan 19, 2007
    • Jan 19, 2007 First Siting of Comet McNaught Jan 19, 2007
    • Jan 16, 2007 Shanghai's mad dash: University Admission Jan 16, 2007
    • Jan 16, 2007 Education key to Shanghai life Jan 16, 2007
    • Jan 15, 2007 Three Days at Uluru Jan 15, 2007
    • Jan 14, 2007 China's problems multiply with its population Jan 14, 2007
    • Jan 14, 2007 Genghis Khan -- A Chinese Hero??? Jan 14, 2007
    • Jan 14, 2007 Shanghai Scandal Jan 14, 2007
    • Jan 14, 2007 Monument to all that jazz: Shanghai's Peace Hotel, a piece of Old Europe in new China Jan 14, 2007
    • Jan 14, 2007 Shanghai Risen, Shanghai Falling Down Jan 14, 2007
    • Jan 14, 2007 Resurgence And Spread Of Syphilis In China Is A Rapidly Increasing Epidemic Jan 14, 2007
    • Jan 5, 2007 Beijing’s Olympic-sized traffic problem Jan 5, 2007
    • Jan 2, 2007 Shanghai to have 400 km urban rail lines in 2010 Jan 2, 2007
  • December 2006
    • Dec 27, 2006 Global warming likely to wreck havoc in China Dec 27, 2006
    • Dec 5, 2006 Beijing vs. Shanghai Dec 5, 2006

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